I was thinking, again, today about the geneology of corruption. Perhaps, this is what has led me to take up Fons Vitae again…to which I added an additional six pages today, and have just about filled out the first chapter, most painfully. I hate setting stages…
Anyway…I was thinking of Tolkien’s Silmarrilon, as I just completed reading the book again. When the demi-gods, the Valar, were first formed, one rose amongst them whose interest diverged from all the others: he called himself Melkor, but was eventually labeled Morgoth. Melkor had an affinity for pure power. Again, means without ends. There was nothing in his pursuit of power, save more power. Unlike the mortals, he did not face death. He was, like Dionysius, a god of chaos. Chaos for chaos’ sake. In the topology for evil there seems to be such a sort. Although this is rare. Evil, amongst humans, seems more along the lines of "Because I want to…" not "Because I CAN." We have a believed end in our evil actions; to hurt. to control. to conquer. etc.
What interests me more that Melkor/Morgoth is Sauron. Now, Tolkien tells us that Sauron was CREATED by Melkor, much like how the dwarves were created before their time. Sauron was made a leutenant of Melkor. Fashioned in evil, as he was, there was something more human about him than any of the other creations of middle-earth. He suffered the pains of conscience. 3 times in the Silmarrilon, Sauron fells repentence.
I thought about this for a long time. Why should any corrupted being feel remorse? What were the conditions that led from a shift of one existence sphere to another? Something so dramatic must have happened to Sauron that he actually was about the pledge his allegiance to the Valar, but it was only his fear of their punishment (as cruelty was all he knew under Melkor) that stopped him.
Sauron assumed, however momentarily, the possibility of forgiveness, and the revelation of his atrocities. But eventually he lost faith in the possibility, and the notion that his atrocities were, in fact, atrocious. He went back to the Worship of Melkor, and convinced Numenor to build a temple of sacrifice for Morgoth.
Is it a confusion of what is truly sublime? Of course, this is a fictional myth we speak of, but nonetheless…do we seek the sublime, and cast our search to the wind of capricious one-sided experiences that convince us something is ALL this way or ALL that way?For with Sauron it was happenstance that he creator should be Melkor…he had a heart to have good, but never experienced it. By the time he did…it was too late. He had an unshakeable conviction, worldview. There was dialogue with otherness, to test his notions of power, sublimity, etc.
I can’t fathom this mind. I recall Himmler’s justification of the holocaust as ‘an act of sublimity which this age cannot grasp." His appeal was to the aesthetics of genius, that had judged the beauty of such massive massacre as an incarnation of sublimity itself. What was sublimity then? Power over another. Why should this definition suffice, and how could one TRULY believe it…go home and kiss their wife and children…love them? Dr. Goebbels, the same. These uncritical, bifurcated men…I can’t fathom, partially constructed with love of what they want, desire for what they lack, and hatred for what cannot be controlled. Do they not see the framentation of themselves? Is THAT man’s ruination?
Is it because when he sees he is a wretch, he is so many more things than a wretch that he can busy himself, in fact, blind himself to himself, in all that which is not the wretch that lies within him, including the capacity to invert the concept of wretch, with some neologism which suggests to him a virtue?
Perhaps this explanation suits a particular kind of evil man. I’m sure evil is more elusive than I can fathom, define, or diagnose. Sinister artwork; my vaguest and therefore most appropriate definition of evil.
Artwork. For it is entirely aesthetic in its construction, lest it lack craft, skill, cultivation, and ultimately be accidental as opposed to deliberate, which does not seem a just component of evil. The concept of malice is almsot anamistic itself, going all the way back to the account in Genesis where God cautioned Cain not to let evil POUNCE upon him, for it stalks like an animal.
Are we all PREY, then, to evil, and there is nothing essentiall evil in us? If that be so, how can we be blamed for the victimization of OURSELVES when preyed upon by evil. I must reject this description. We would not be suspeptible, lest there was some form of identification between the evil and ourselves by which we saw some intelligibility in it, and assimilated it into our beings.
No. If you ask me. I am devil and divinity. Chaos and order. Light and darkness. Sincereity and fraudulant. Loving and hateful. This is man. Evil must be proportionate to good, and on a continuum of acts from depraved to pious. Here I fall back to Aquinas yet again. Evil has no being. It is a depravation of the good. All fine and good, and that tells me nothing of why we chose deprivation. It must be the khora of man’s being itself, in that man must progress in time, must commit himself to actions, bear the curse of his memory, and the stamp of his essence as the totality of prior actions…always with the good or bad before him, and the potential to sort himself and cultivate himself around one notion or another. Why one does either or refuses…must be as unique as the individual himself, and I can go no further.
It was wrong, then, to ask why Sauron did not seek reconciliation. It must be wrong to ask this question of any other than myself. The two questions before my mind, "What do I know of the good?" and "Am I aligning my actions in accordance with this good?" I can go no further than this solipsistic view, so far as experiential induction is concerned. What truth lies beyong the subjective answering of these questions is not demonstrable. But I can talk about MY kind of evil, and my experience of the good. I guess that is the heart of Alexander’s ’situation’ in Fons Vitae…he has MY experience, no universality. I can only offer others a glimpse, and see if they find recognition in both the account of the dilemma and its solution.